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The harmonic minor scale (or Aeolian ♯ 7 scale) has the same notes as the natural minor scale except that the seventh degree is raised by one semitone, creating an augmented second between the sixth and seventh degrees.
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A harmonic minor scale can be built by lowering the 3rd and 6th degrees of the parallel major scale by one semitone. Because of this construction, the 7th degree of the harmonic minor scale functions as a leading tone to the tonic because it is a semitone lower than the tonic, rather than a whole tone lower than the tonic as it is in natural ...
Ultraphrygian scale: Hungarian minor scale, double harmonic minor scale, Gypsy minor scale: Oriental mode: Ionian ♯2 ♯5 scale: Locrian 3 7 scale Dorian harmonic (♯4) scale Ukrainian Dorian scale, Romanian minor scale, altered Dorian scale, Dorian harmonic (♯4) scale: Phrygian dominant scale, altered Phrygian scale, dominant ♭2 ♭6 ...
Phrygian dominant scale (Ahavah Rabbah written) In music, the Phrygian dominant scale (or the Phrygian ♮3 scale) is the actual fifth mode of the harmonic minor scale, the fifth being the dominant. [1] It is also called the harmonic dominant, altered Phrygian scale, dominant flat 2 flat 6 (in jazz), or Freygish scale (also spelled Fraigish [2]).
This half step creates a pull (leading tone) to the tonic that is useful in harmonic context and is not present in the natural minor scale. Traditionally, in classical and jazz contexts, when building a chord on the dominant of the minor tonality, this raised seventh is present, and so both of these chords have a strong pull to the tonic.
The Phrygian dominant scale (a mode of the harmonic minor scale) The Arabic scales; The Hungarian minor scale; The Byzantine music scales (called echoi) The Persian scale; Scales such as the pentatonic scale may be considered gapped relative to the diatonic scale. An auxiliary scale is a scale other than the primary or original scale.
The diminished seventh is used quite readily in the minor key, where it is present in the harmonic minor scale between the seventh scale step and the sixth scale step in the octave above. In 12-tone equal temperament , a diminished seventh is equal to nine semitones, a ratio of 2 9/12 :1 (approximately 1.6818), or 900 cents, and is ...