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Born in Cheltenham, Gloucestershire, [2] shortly after the death from tuberculosis of his father (who was a captain in the Indian Army), he learnt the piano and studied music theory as a child. He was attracted to the singing of Elena Gerhardt , whom he heard sing in London and developed an interest in lieder , especially those of Johannes ...
In 2012, the group released its third album, Silent Noon, named after the song by Ralph Vaughan Williams, on the Warner Classics label. The album consists of British songs, from Handel and Purcell, to Quilter, to Britten and Novello, accompanied by piano. The Allmusic review commented that the duo's "calling card was the blend of their ...
Some composers have discussed the significance of silence or a silent composition without ever composing such a work. In his 1907 manifesto, Sketch of a New Esthetic of Music, Ferruccio Busoni described its significance: [1] That which, within our present-day music, most nearly approaches the essential of the art, is the Rest and the Hold (Pause).
The original songs are clearly recognisable in these string quartet arrangements, with melodic line, rhythm and harmony unchanged. For No.11, Dvořák changed the key, and half of them he extended by repetition, mostly with some interchange of allocation of lines to the different instruments.
Bernard Herrmann (born Maximillian Herman; June 29, 1911 – December 24, 1975) was an American composer and conductor [1] best known for his work in film scoring.As a conductor, he championed the music of lesser-known composers.
The Noon Witch (or The Noonday Witch; Czech: Polednice), Op. 108, B. 196, is a symphonic poem written in 1896 by Antonín Dvořák which was inspired by the Karel Jaromír Erben poem Polednice from the collection Kytice. Polednice is based on the noon demon "Lady Midday" of Slavic mythology. It is one of a set of late orchestral works inspired ...
Herbert, Peter J. F.; Trufitt, Ian T. Antonin Dvorak complete catalogue of works, (The Dvorak Society occasional publications no. 4), 4th revised edition, 2004.The Dvorak Society for Czech and Slovak Music. p. 16/17.
Silent Woods (Czech: Klid) is the translated title of the composition by Antonín Dvořák initially published under the German title Waldesruhe. It is the fifth part of the cycle for piano four-hands, Ze Šumavy (From the Bohemian Forest) Op. 68, B. 133, composed in 1883. The work is also transcribed by the composer for cello and piano (B. 173 ...
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