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The tres (Spanish for three) is a three-course chordophone of Cuban origin. The most widespread variety of the instrument is the original Cuban tres with six strings. Its sound has become a defining characteristic of the Cuban son and it is commonly played in a variety of Afro-Cuban genres.
The armónico was invented by Cuban trova musician Compay Segundo, who loved the instrument as it allowed him to exploit the possibilities of both the guitar and the tres. [ 1 ] Counting from the lowest-pitched, the first three strings, E, A and D, are tuned an octave higher than the equivalent strings on a guitar with standard tuning.
A guajeo (Anglicized pronunciation: wa-hey-yo) is a typical Cuban ostinato melody, most often consisting of arpeggiated chords in syncopated patterns. Some musicians only use the term guajeo for ostinato patterns played specifically by a tres, piano, an instrument of the violin family, or saxophones.
The Venezuelan Cuatro Chord Bible: A D F# B Standard Tuning 1,728 Chords. Cabot Books. ISBN 978-1-906207-00-7. Tobe A. Richards (2007). The Puerto Rican Cuatro Chord Bible: B E A D G Standard Tuning 1,728 Chords. Cabot Books. ISBN 978-1-906207-06-9. Eric F. Milland Ramos (2004). Método Para El Aprendizaje Del Cuatro Puertorriqueño.
This page was last edited on 12 March 2013, at 03:07 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may ...
Compay Segundo also invented the armónico, a seven-stringed guitar-like instrument, to fill the harmonic jump between the Spanish guitar and the tres. [1] In the 1950s he became well known as the second voice and tres player in Los Compadres , a duo he formed with Lorenzo Hierrezuelo in 1947.
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Technically, the changüi ensemble consists of: marímbula, bongos, tres, güiro (or guayo) and one or more singers. [2] Changüi does not use the Cuban key pattern (or guide pattern) known as clave. [3] The tres typically plays offbeat guajeos , while the guayo plays on the beat.
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