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Children's clothing during the Italian Renaissance reflected that of their parents. In other words, kids dressed exactly like the adults and looked like miniature versions of them. As babies and toddlers, children were all put in dresses to make the potty training process easier for parents or maids.
English opulence, Italian reticella lace ruff, (possibly) Polish ornamentation, a French farthingale, and Spanish severity: The "Ermine Portrait" of Elizabeth I. Fashion in the period 1550–1600 in European clothing was characterized by increased opulence.
Renaissance men wore hose or tights to emphasize their lower body. During the Italian Renaissance, men wore large, fitted waistcoats underneath pleated overcoats called giornea, which had wide, puffy mutton sleeves and were often made from brocade. Men wore hats like caps and berets.
Costume historian James Laver suggests that the mid-14th century marks the emergence of recognizable "fashion" in clothing, [1] in which Fernand Braudel concurs. [2] The draped garments and straight seams of previous centuries were replaced by curved seams and the beginnings of tailoring, which allowed clothing to more closely fit the human ...
In December 1617 the Venetian ambassador Piero Contarini was surprised by the size of Anne of Denmark's farthingale which was four feet wide at the hips. [33] Large styles of French farthingales remained popular in England and France until the 1620s when they disappeared in portraiture and wardrobe accounts.
Portrait of the family of Sir Thomas More shows English fashions around 1528.. Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles).
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