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Saltarello rhythm [2]. The saltarello enjoyed great popularity in the courts of medieval Europe. [citation needed] During the 14th century, the word saltarello became the name of a particular dance step (a double with a hop on the final or initial upbeat), and the name of a meter of music (a fast triple), both of which appear in many choreographed dances.
Italian folk dance has been an integral part of Italian culture for centuries. Dance has been a continuous thread in Italian life from Dante through the Renaissance , the advent of the tarantella in Southern Italy , and the modern revivals of folk music and dance.
Italian girl dancing the tarantella, 1846 Italians in Naples dancing the tarantella The nowadays southern part of Italy was not part of a single country until the mid to late 19th century. The place was a colony of ancient Greece , and even Napoli ("Naples") comes from the Greek word "Neapolis," which means "New City."
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The most important book about pizzica and tarantism is The Land of Remorse, written by the Italian philosopher, anthropologist and historian of religions Ernesto de Martino. [ 1 ] There are several traditional pizzica groups, the oldest being Officina Zoé, Uccio Aloisi gruppu, Canzoniere Grecanico Salentino , and I Tamburellisti di Torrepaduli.
There are many variant spellings. In Italian or international usage, the name is also rendered as pass'e mez(z)o, passo e mezzo, and passomez(z)o.In early English usage, the names frequently incorporated the word measure in a folk etymology, giving such renderings as passemeasure, passingmeasure, passy-measures or passemeasure(s) pavan, particularly to designate the passamezzo antico progression.
Our knowledge of 15th-century Italian dances comes mainly from the surviving works of three Italian dance masters: Domenico da Piacenza, Antonio Cornazzano and Guglielmo Ebreo da Pesaro. Their work deals with similar steps and dances, though some evolution can be seen. The main types of dances described are bassa danza and balletto. These are ...