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The Trieste version "The Incredulity of Saint Thomas" is published in the Maurizio Marini corpus catalogico "Caravaggio - Pictor praestantissimus" Newton & Compton - 2005 in position Q50. [27] The painting is declared as "d'interesse artistico e storico" by the "Ministero per i Beni e le Attività Culturali Sopraintendenza Regionale del Friuli ...
The Incredulity of Saint Thomas is a 1543–1547 painting by Francesco Salviati. [1] It was commissioned for the église Notre-Dame-de-Confort in Lyon by Thomas II de Gadagne (also known as Tomaso Guadagni), a Florentine counselor to Francis I of France.
The Incredulity of Saint Thomas by Caravaggio, c. 1602. A doubting Thomas is a skeptic who refuses to believe without direct personal experience – a reference to the Gospel of John's depiction of the Apostle Thomas, who, in John's account, refused to believe the resurrected Jesus had appeared to the ten other apostles until he could see and feel Jesus's crucifixion wounds.
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The painting depicts the episode that led to the term "Doubting Thomas"—in art history formally known as "The Incredulity of Saint Thomas"—which has been frequently depicted and used to make various theological statements in Christian art since at least the 5th century.
The following other wikis use this file: Usage on it.wikipedia.org Opere del Guercino; Usage on www.wikidata.org Q26706678; Wikidata:WikiProject sum of all paintings/Collection/National Gallery
Incredulity of Saint Thomas (Secular version) Potsdam, Sanssouci: 107 × 146 cm Oil on canvas: 1602: Taking of Christ: Dublin, National Gallery of Ireland: 133 × 169 cm Oil on canvas: 1603: Sacrifice of Isaac: Florence, Uffizi: 104 × 135 cm Oil on canvas: c. 1603: Holy Family with Saint John the Baptist: New York City, Metropolitan Museum of ...
Another version of the subject by the same artist is in the Baron Scotti collection in Bergamo; both were produced during the artist's time on Sicily.The Prado version's composition is influenced by those of Hendrick ter Brugghen's Doubting Thomas of c. 1621–1623 (Rijksmuseum, Amsterdam) and Rubens's Incredulity of Saint Thomas of 1613–1615 (Royal Museum of Fine Arts, Antwerp).