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Hermes wearing a chlamys. The chlamys (Ancient Greek: χλαμύς, chlamýs, genitive: χλαμύδος, chlamydos) was a type of an ancient Greek cloak. [1] By the time of the Byzantine Empire it was, although in a much larger form, part of the state costume of the emperor and high officials. It survived as such until at least the 12th ...
The chlamys, a semicircular cloak fastened to the right shoulder continued throughout the period. The length fell sometimes only to the hips or as far as the ankles, much longer than the version commonly worn in Ancient Greece ; the longer version is also called a paludamentum .
The chlamys was a seamless rectangle of woolen material worn by men for military or hunting purposes. [3] It was worn as a cloak and fastened at the right shoulder with a brooch or button. [4] The chlamys was typical Greek military attire from the 5th to the 3rd century BC. [24] It is thought that the chlamys could ward against light attacks in ...
The chlamys was typical Greek military attire from the 5th to 3rd century BC. As worn by soldiers, it could be wrapped around the arm and used as a light shield in combat. Himation. The basic outer garment during winter was the himation, a larger cloak worn over the peplos or chlamys. The himation has been most influential perhaps on later fashion.
chlamys (short cloak) kothurnus (short lace-up boots) himation (overgarment) peplos (cloak). [3] The chiton worn by the actors differed from that worn in everyday life because it incorporated sleeves, which were coloured and patterned. The sleeves may in fact have been part of an undergarment.
Chlamys, Himation. The chlamys was made from a seamless rectangle of woolen material worn by men as a cloak. The basic outer garment during winter was the himation, a larger cloak worn over the peplos or chiton. The himation has been most influential perhaps on later fashion.
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The treatment of the chlamys seems borrowed from representations of Hermes. The clumsy treatment of the attire on the Amiens god, by contrast, is much more characteristic of Gaulish art. [5]: 100 The Lantilly and Besançon gods are seated, whereas the Amiens god sits in the typical lotus pose of Celtic gods.
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