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Mark O'Connor: Double Violin Concerto for 2 violins and symphony orchestra Arvo Pärt : Tabula Rasa for 2 violins, prepared piano and string orchestra Marta Ptaszynska : Concerto Grosso for 2 violins and chamber orchestra (1996.)
Violin Sonata in A minor, Op. 7 (published 1887) (Not mentioned in the list of works linked to in the article but recorded on Troubadisc [20] and noted in published articles- Dale's in Oct. 1949 Music & Letters.) Louis Spohr. Sonata for Violin and Harp in B-flat major, Op. 16; Sonata for Violin and Harp in E-flat major, Op. 113
Morning music; 2. Dancing in place; 3. Northern Nigun; 4. Lenny in spats; 5. Tempo di gavotte; 6. Barcarolle; 7. Fuga malinconica; 8. Tarantella; 9. Even music) Suite No. 3, for solo violin (2018) -commissioned by the "International Violin Competition of Indianapolis"- (in 7 movements) Csiky Boldizsár. Passacaglia (Thema with Variations) for ...
The surviving autograph manuscript of the sonatas and partitas was made by Bach in 1720 in Köthen, where he was Kapellmeister.As Christoph Wolff comments, the paucity of sources for instrumental compositions prior to Bach's period in Leipzig makes it difficult to establish a precise chronology; nevertheless, a copy made by the Weimar organist Johann Gottfried Walther in 1714 of the Fugue in G ...
Variations on a theme from the ballet of Salvatore Viganò Il noce di Benevento , music by Franz Xaver Süssmayr. First performed at a solo concert in La Scala on October 29, 1813. The audience was so impressed that they requested a repeat. [ 4 ]
The orchestra begins the next section in E major, the violin entering with a fast and jovial melody, representing Zhu and Liang's busy three years of school. Many examples of violin technique are represented, namely spiccato, fast playing over a wide range of notes, and even arpeggios, in a standard display of difficulty for a violin concerto.
David Ludwig – Violin Concerto No. 2: Paganiniana, (2018) for violin and Pierrot Ensemble; Witold Lutosławski – Variations on a Theme by Paganini, for two pianos (1940–41) or for piano and orchestra (1978) Yngwie Malmsteen – used the main theme for an interlude on electric guitar on the song Prophet of Doom, from his album War to End ...
version of No. 24 by composer himself, for violin and piano or guitar published separately as Variazioni di bravura; piano accompaniments for Nos. 1–23 by Robert Schumann (1855) arrangement of Nos. 1–24 by Ferdinand David for violin and piano (c. 1860) version of the 24 caprices "avec accompagnement de pianoforte" by John Liptrot Hatton (1870)
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