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The Graduate is a 1967 American independent [6] romantic comedy-drama film directed by Mike Nichols [7] and written by Buck Henry and Calder Willingham, [8] based on the 1963 novella by Charles Webb, who wrote it shortly after graduating from Williams College.
The Graduate is a 1963 novella by Charles Webb, who wrote it shortly after graduating from Williams College.It tells the story of Benjamin Braddock, who, while pondering his future after his graduation, has an affair with the older Mrs. Robinson, the wife of his father's business partner, before falling in love with their daughter, Elaine.
Midnight Cowboy is a 1969 American drama film directed by John Schlesinger, adapted by Waldo Salt from the 1965 novel by James Leo Herlihy.The film stars Dustin Hoffman and Jon Voight, with supporting roles played by Sylvia Miles, John McGiver, Brenda Vaccaro, Bob Balaban, Jennifer Salt and Barnard Hughes.
The Graduate is a 1968 album of songs and music from the soundtrack of Mike Nichols' movie The Graduate. It includes five songs from the folk-rock duo Simon & Garfunkel, including "Mrs. Robinson", a work in progress which Simon adapted to fit the movie, along with several instrumental pieces by Dave Grusin.
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The Graduates is a 2023 American drama film written, directed, and edited by Hannah Peterson, in her directorial debut. It stars Mina Sundwall, Alex R. Hibbert, Yasmeen Fletcher, Ewan Manley, John Cho, Maria Dizzia, and Kelly O'Sullivan. Chloé Zhao serves as an executive producer.
Literary Hub says Webb sold the movie rights to the screen adaptation for 'The Marriage of a Young Stockbroker' and bought an 11-room mansion in Williamstown, Massachusetts, donating it to the Audubon Society after a few weeks and moving away from the college town where he began 'the Graduate'.
Calder Baynard Willingham Jr. (December 23, 1922 – February 19, 1995) [1] was an American novelist and screenwriter. Before the age of 30, after three novels and a collection of short stories, The New Yorker was describing Willingham as having “fathered modern black comedy,” [2] his signature a dry, straight-faced humor, made funnier by its concealed comic intent.