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Anthony of Padua, OFM, (Portuguese: António/Antônio de Pádua; Italian: Antonio di/da Padova; Latin: Antonius Patavinus) or Anthony of Lisbon (Portuguese: António/Antônio de Lisboa; Italian: Antonio da/di Lisbona; Latin: Antonius Olisiponensis; born Fernando Martins de Bulhões; 15 August 1195 – 13 June 1231) [1] [2] was a Portuguese Catholic priest and member of the Order of Friars Minor.
In the Life of St. Paul the First Hermit, by St. Jerome, it is recorded that it was St. Anthony that found St. Paul towards the end of his life and without whom it is doubtful he would be known. [34] Saint-Antoine-l'Abbaye, Isère, France. Veneration of Anthony in the East is more restrained. There are comparatively few icons and paintings of him.
Desert Father: In the Desert with Saint Anthony. ISBN 1-59030-145-5. Gregg, Robert C. Athanasius: The Life of Antony and the Letter to Marcellinus. ISBN 0809103095. Gruen, Anselm. Heaven Begins Within You: Wisdom from the Desert Fathers. ISBN 0-8245-1818-7. Keller, David G. R. Oasis Of Wisdom: The Worlds of the Desert Fathers and Mothers.
Saint Anthony, Antony, or Antonius most often refers to Anthony of Padua, otherwise known as Saint Anthony of Lisbon, who is the patron saint of lost things in Christianity. This name may also refer to:
Saint Anthony took the words he heard in a literal sense and that is what caused him to venture into the desert to live a life of asceticism. He made his abode in a small cave where he lived ascetically. Although St. Anthony was not the first monk, he attracted many followers and disciples, and is one of the fathers of modern Christian monasticism.
The "Sermon of Saint Anthony to the Fish" (Portuguese: Sermão de Santo António aos Peixes) is a sermon written by Portuguese Jesuit priest António Vieira, preached to the congregation at the Church of Saint Anthony in São Luís do Maranhão, Colonial Brazil, on 13 June 1654. [1] It is Vieira's most famous work.
The Virgin and Child Between Saints Anthony of Padua and Roch is an oil on canvas painting by Titian, from c. 1510. [1] It was originally given to Philip IV of Spain by his Viceroy of Naples , Ramiro Núñez de Guzmán , and is now held in the Museo del Prado , in Madrid .
Schongauer's late-Gothic style is also in strong contrast with the rest of Michelangelo's oeuvre, even in his youth. The prints of Schongauer, just reaching the end of his short life when Michelangelo copied him, were widely distributed in Europe, including Italy. [9] Martin Schongauer, The Temptation of St Anthony, c. 1470–1475