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Platero and I, also translated as Platero and Me (Spanish: Platero y yo), is a 1914 Spanish prose poem written by Juan Ramón Jiménez. [1] The book is one of the most popular works by Jiménez, and unfolds around a writer and his eponymous donkey, Platero ("silvery"). Platero is described as a "small donkey, a soft, hairy donkey: so soft to ...
Platero is the eponymous donkey of the 1914 story Platero and I (English for Platero y yo). The book is one of the most popular works by Spanish poet Juan Ramón Jiménez, the recipient of the 1956 Nobel Prize in Literature. In 1960, the Italian composer Mario Castelnuovo-Tedesco composed a suite of music for guitar with narrator based on the book.
El llano en llamas (translated into English as The Burning Plain and Other Stories, [1] The Plain in Flames, [2] and El Llano in flames [3]) is a collection of short stories written in Spanish by Mexican author Juan Rulfo. The stories were written over several years for different literary magazines, starting in 1945 with They Gave Us The Land. [4]
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They also establish a connection between Tomás Rivera, Juan Rulfo, Octavio Paz, and other literatures from the Borderlands. Additionally, the Latin American edition of Tierra includes numerous unpublished materials that show the relationship between Rivera and the editors of the foundational publishing house Quinto Sol .
On 6 February 1847, Juan married Maria Beatrix of Austria-Este, daughter of Francis IV, Duke of Modena and Princess Maria Beatrice of Savoy. The couple had two sons: Carlos de Borbón y Austria-Este (1848–1909). Alfonso de Borbón y Austria-Este (1849–1936). Juan and Beatrix lived first in Modena, but had to leave during the revolution of ...
Juan Ruiz de Alarcón was born in Real de Taxco, later named Taxco de Alarcón in his honour. His family was of old Asturian nobility. The name Alarcón had been given to his ancestor Ferren Martínez de Ceballos by Alfonso VIII of Castile after he had successfully driven the Moors from the fortress of Alarcón near Cuenca in 1177.
Spanish personal pronouns have distinct forms according to whether they stand for the subject or object, and third-person pronouns make an additional distinction for direct object or indirect object (), and for reflexivity as well.
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