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The vihuela, as it was known in Spanish, was called the viola de mà in Catalan, viola da mano in Italian and viola de mão in Portuguese. The two names are functionally synonymous and interchangeable. In its most developed form, the vihuela was a guitar-shaped instrument with six double-strings (paired courses) made of gut.
The Mexican vihuela has more in common with the Timple Canario (see: timple) due to both having five strings and both having vaulted (convex) backs. The Mexican vihuela is tuned similarly to the guitar. The difference is that the open G, the D and the A strings are tuned an octave higher than a guitar thus giving it a tenor sound or a higher pitch.
Vihuela de mano shared extreme similarities with the Renaissance guitar as it used hand movement at the sound hole or sound chamber of the instrument to create music. [158] By 1790 only six-course vihuela guitars (six unison-tuned pairs of strings) were being created and had become the main type and model of guitar used in Spain.
Tuned as vihuela, but in the 3rd, 4th and 5th courses, each string in a course tuned to an octave of the other string. [3] [4] [5] guitarras de concheros or guitarra conchera: with 6 double courses (12 strings). Tuned as guitar, but in the 3rd, 4th, 5th and 6th courses, each string in a course tuned to an octave of the other string. [3] [4]
The guitarrón is used in Mexican Mariachi groups, which usually consist of at least two violins, two trumpets, one Spanish guitar, a vihuela (a high-pitched, five-string guitar-type instrument), and the guitarrón. A strap is usually used to keep the instrument up and playable.
The classical guitar, also known as Spanish guitar, [1] is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern steel-string acoustic and electric guitars, both of which use metal strings.
Small figure-8 guitar at far right. 1175 A.D., Rylands Beatus 1175 A.D., Rylands Beatus: Vihuela de arco Viola de arco Vihuela de arco pequeña (small bowed vihuela) The vihuela de arco may be a variant of the vielle. Spain had a variety of fiddles (which predate the violin) in the cathedral artwork and manuscript miniatures.
The guitar (as we know it today or in one of its historical versions) has been present in Cuba since the discovery of the island by Spain. As early as the 16th century, a musician named Juan Ortiz, from the village of Trinidad, is mentioned by famous chronicler Bernal Díaz del Castillo as “gran tañedor de vihuela y viola” (a great performer of the “vihuela” - a guitar ancestor - and ...
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