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18th-century hymns in Latin (2 P) Pages in category "18th-century hymns" The following 37 pages are in this category, out of 37 total. This list may not reflect ...
Songs of the American Revolutionary War (7 P) B. 18th-century ballads (7 P) F. Songs of the French Revolution (7 P) H. 18th-century hymns (2 C, 37 P)
Richard Allen publishes his own hymnal, A Collection of Spiritual Songs and Hymns, which becomes very popular. [190] The first camp meeting is held near the Gasper River in Logan County, Kentucky; the diverse crowd forces the song leaders to keep the songs simple, leading to a style known as the camp meeting spiritual. [191]
They include hymns, military themes, national songs, and musical numbers from stage and screen, as well as others adapted from many poems. [2] Much of American patriotic music owes its origins to six main wars — the American Revolution , the American Indian Wars , the War of 1812 , the Mexican–American War , the American Civil War , and the ...
Early 1820s music trends The Boston 'Euterpiad becomes the first American periodical devoted to the parlor song. [5]The all-black African Grove theater in Manhattan begins staging with pieces by playwright William Henry Brown and Shakespeare, sometimes with additional songs and dances designed to appeal to an African American audience. [6]
These oldest songs also include a few from a remote ancestor of Sacred Harp singing, the tradition of religious choral music that flourished in rural England in the mid 18th century, for example "Milford" by Joseph Stephenson (D 273). Songs by the New England composers of ca. 1770–1810, sometimes referred to as the "First New England School".
In New England, the music was very religious and was vitally important in the rising of American music. The migration of people southward led to the settling of the Appalachian Mountains. There many poor Europeans inhabited and brought country blues and fiddling. As music spread, the religious hymns were still just as popular
The fuguing tune (often spelled fuging tune) is a variety of Anglo-American vernacular choral music. Fuguing tunes form a significant number of the songs found in the American Sacred Harp singing tradition. They first flourished in the mid-18th century and continue to be composed today.