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Wood-Block Printing, by F. Morley Fletcher, Illustrated by A. W. Seaby at Project Gutenberg; Block printing in India; Prints & People: A Social History of Printed Pictures, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on woodblock printing
In Korea, printing has enabled the spread of knowledge that was previously exclusive to writers. [3] In 1232, during the Second Mongol Invasion of Korea, a 6,000-volume wooden board of the Tripitaka Koreana, carved in the early 12th century, was burned at the Buinsa in Daegu by nomadic Mongolians. For the tragic cultural and religious loss, the ...
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
Wood engraving is a printmaking technique, in which an artist works an image into a block of wood. Functionally a variety of woodcut , it uses relief printing , where the artist applies ink to the face of the block and prints using relatively low pressure.
A fragment of a dharani print in Sanskrit and Chinese, c. 650–670, Tang dynasty The Great Dharani Sutra, one of the world's oldest surviving woodblock prints, c. 704-751 The intricate frontispiece of the Diamond Sutra from Tang-dynasty China, 868 AD (British Museum), the earliest extant printed text bearing a date of printing Colophon to the Diamond Sutra dating the year of printing to 868
Fukibokashi requires gradations of ink to be applied to the printing block. This is not a precise technique; its results are inconsistent from print to print. [1] The technique ichimonji bokashi (一文字ぼかし, "straight-line bokashi") is the one associated with the works of Hokusai and Hiroshige to represent the horizon, sea, or sky.
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A nishiki-e print is created by carving a separate woodblock for every colour, and using them in a stepwise fashion. An engraver by the name of Kinroku is credited with the technical innovations that allowed so many blocks of separate colours to fit together perfectly on the page, in order to create a single complete image.
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