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The Wild Party is a 1975 American comedy-drama film directed by James Ivory and produced by Ismail Merchant [3] for Merchant Ivory Productions. Loosely based on Joseph Moncure March 's narrative poem of the same name , the screenplay is written by Walter Marks , who also composed the score.
The Wild Party is a 1929 American pre-Code film directed by Dorothy Arzner and starring Clara Bow and Fredric March. Released by Paramount Pictures, it is known as Bow's first talkie. It is the fifth film directed by Arzner and the earliest surviving film in her work as a director.
The Wild Party is a 1956 American film noir crime film directed by Harry Horner [1] and written by John McPartland. The film stars Anthony Quinn, Carol Ohmart, Arthur Franz, Jay Robinson, Kathryn Grant, Nehemiah Persoff, and Paul Stewart. The film was released on December 21, 1956 by United Artists. [2] [3] [4] [5]
The Wild Party, a film based on the novel Unforbidden Fruit by Samuel Hopkins Adams; The Wild Party, a film starring Anthony Quinn; The Wild Party, a Merchant-Ivory film starring James Coco and Raquel Welch, based on March's poem; The Wild Party (LaChiusa musical), a 2000 Broadway musical based on March's poem
The Wild Party is a musical with book, lyrics, and music by Andrew Lippa. Based on Joseph Moncure March 's 1928 narrative poem of the same name , it coincidentally made its debut off-Broadway during the same theatre season (1999–2000) as a Broadway production with the same name and source material .
The secretary to the city editor of a newspaper, Leslie Adams, persuades him to let her write up a society affair. Her efforts result in a libel suit against the paper, and Leslie is told to prove her story or join the ranks of the unemployed.
The Party (2017 film) Pirates (2021 film) Project X (2012 film) ... The Whoopee Party; The Wild Party (1975 film) Y. Y2K (2024 film) You Are So Not Invited to My Bat ...
The Wild Party is a book-length narrative poem, written by Joseph Moncure March, who also wrote The Set-Up. Published in 1926 [1] by Pascal Covici, Inc., the poem was widely banned, first in Boston, [2] for having content viewed as lewd. The poem was a success notwithstanding, and perhaps in part due to, the controversy surrounding the work.
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