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Cucurrucucú paloma" (Spanish for Coo-coo dove) is a Mexican huapango-style song written by Tomás Méndez in 1954. [1] The title is an onomatopeic reference to the characteristic call of the mourning dove, which is evoked in the refrain. The lyrics allude to love sickness.
Siete Canciones populares Españolas ("Seven Spanish Folksongs") is a 1914 set of traditional Spanish songs arranged for soprano and piano by the composer Manuel de Falla. Besides being Falla's most-arranged composition and one of his most popular, it is one of the most frequently performed sets of Spanish-language art songs .
Canción ("song") is a popular genre of Latin American music, particularly in Cuba, where many of the compositions originate. [1] Its roots lie in Spanish popular song forms, including tiranas, polos and boleros; also in Italian light operetta, French romanza, and the slow waltz. Initially, even when written by the creole population of Cuba ...
De colores" ([Made] of Colors) is a traditional Spanish language folk song that is well known throughout the Spanish-speaking world. [1] It is widely used in the Catholic Cursillo movement and related communities such as the Great Banquet, Chrysalis Flight, Tres Días , Walk to Emmaus , and Kairos Prison Ministry .
Asturias performed at the White House by Sharon Isbin.. Though originally written to imitate guitar playing, the piece cannot be transcribed note for note for guitar. The original version makes uses of the piano keyboard's wider range compared to the tessitura of the guitar, and the key of G minor is not suitable for the guitar—for example, in the standard guitar tuning, the pedal note D4 is ...
The idea for the song came from British music executive Adam Kidron, as a show of support to Hispanic immigrants in the United States. [citation needed] The song is included on the album Somos Americanos; a portion of the profits of which go to the National Capital Immigration Coalition, a Washington, D.C.–based group. [1]
"España cañí" (meaning "Gypsy Spain" in Spanish) is a famous instrumental Spanish piece of pasodoble music by Pascual Marquina Narro (1873–1948). The song was written around 1923 and first recorded in 1926. In English it is also known as the Spanish Gypsy Dance. [1]
"El Son de la Negra" (lit. The Song of the Black Woman) is a Mexican folk song, originally from Tepic, Nayarit, [1] before its separation from the state of Jalisco, and best known from an adaptation by Jalisciense musical composer Blas Galindo in 1940 for his suite Sones de mariachi.