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The fretboard and 10 strings of a bajo quinto. The bajo sexto is a member of the guitar family, and physically looks like a cross between a 12-string guitar and a cello because of its size. However, there are important differences: The body is usually a bit deeper; the neck is shorter, joining the body at the 12th fret (modern 12-string guitars ...
The Bajo quinto (Spanish: "fifth bass") is a Mexican string instrument from the guitar family with 10 strings in five double courses. [1]It is played in a similar manner to the guitar, with the left hand changing the pitch with the frets on a fingerboard while the right hand plucks or strums the strings with or without a pick. [1]
In January 2009, Gadotti Guitars announced the 10 String Nylon King Electric, a solid body, nylon-stringed ten-string guitar, suitable for both Yepes and other tunings such as the Baroque. [ 6 ] A ten-string jazz guitar by Mike Shishkov, based on the ten-string extended-range classical guitar, was demonstrated at the 3rd International Ten ...
Diego Magaña, a member of L.A.-based band Arsenal Dorado, plays the 12-string requinto and dedicates his style to the “old-school música Mexicana” — when the guitar is “a little more ...
A vintage Takamine 12-string with a requinto style set-up. The Mexican twelve-string guitar, also known as a requinto-style or Sierreño-style guitar, is a modified twelve-string guitar. It can approximate the sound of a bajo sexto or bajo quinto and play regional Mexican styles, such as norteño, Tejano (Tex-Mex), and conjunto (música ...
A Mexican guitarrón player in a traditional Mariachi uniform. The guitarrón mexicano ( Spanish for "big Mexican guitar", the suffix -ón being a Spanish augmentative ) or Mexican guitarrón is a very large, deep-bodied Mexican six-string acoustic bass guitar played traditionally in Mariachi groups.
Lydia Mendoza (May 31, 1916 – December 20, 2007) was a Mexican-American guitarist and singer of Tejano and traditional Mexican-American music. Historian Michael Joseph Corcoran has stated that she was "The Mother of Tejano Music", an art form that is the uniquely Texas cultural amalgamation of traditional Mexican, Spanish, German, and Czech musical roots.
For the monthly number-one songs of the decade, see List of number-one songs from the 1950s (Mexico). This is a list of the 10 most popular songs in Mexico for each year between 1950 and 1960, as published in the book "El Sound Track de la vida cotidiana", by Fernando Mejía Barquera. [1]
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