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Mimesis, or imitation (imitatio), was a widely used rhetorical tool in antiquity up until the 18th century's romantic emphasis on originality. Mimesis criticism looks to identify intertextual relationships between two texts that go beyond simple echoes, allusions, citations, or redactions. The effects of imitation are usually manifested in the ...
Mimesis (/ m ɪ ˈ m iː s ɪ s, m aɪ-/; [1] Ancient Greek: μίμησις, mīmēsis) is a term used in literary criticism and philosophy that carries a wide range of meanings, including imitatio, imitation, nonsensuous [clarification needed] similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self.
René Noël Théophile Girard (/ ʒɪəˈrɑːrd /; [2] French: [ʒiʁaʁ]; 25 December 1923 – 4 November 2015) was a French historian, literary critic, and philosopher of social science whose work belongs to the tradition of philosophical anthropology. Girard was the author of nearly thirty books, with his writings spanning many academic ...
Simulacra and Simulation (French: Simulacres et Simulation) is a 1981 philosophical treatise by the philosopher and cultural theorist Jean Baudrillard, in which he seeks to examine the relationships between reality, symbols, and society, in particular the significations and symbolism of culture and media involved in constructing an understanding of shared existence.
The mimetic theory of desire, an explanation of human behavior and culture, originated with the French historian, literary critic, and philosopher of social science René Girard (1923–2015). The name of the theory derives from the philosophical concept mimesis, which carries a wide range of meanings. In mimetic theory, mimesis refers to human ...
Imitation of God. Appearance. Not to be confused with Image of God. Imitation of God (Latin: imitatio Dei) is the religious precept of Man finding salvation by attempting to realize his concept of supreme being. It is found in ancient Greek philosophy and several world religions. In some branches of Christianity, however, it plays a key role ...
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller who lived in ancient Greece between 620 and 564 BCE. Of varied and unclear origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers ...
The imitation of Christ, as in Ephesians 5:1 is then viewed by Paul as a path to the imitation of God: "Be ye therefore imitators of God, as beloved children, and walk in love, even as Christ also loved you". [2] The earliest concepts of imitation focused on the works of the Holy Spirit, self-sacrifice and martyrdom. [4]