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Kerygma (from Ancient Greek: κήρυγμα, kḗrygma) is a Greek word used in the New Testament for "proclamation" (see Luke 4:18-19, Romans 10:14, Gospel of Matthew 3:1). It is related to the Greek verb κηρύσσω ( kērússō ), literally meaning "to cry or proclaim as a herald" and being used in the sense of "to proclaim, announce ...
According to Alastair Fowler, the following elements can define genres: organizational features (chapters, acts, scenes, stanzas); length; mood; style; the reader's role (e.g., in mystery works, readers are expected to interpret evidence); and the author's reason for writing (an epithalamion is a poem composed for marriage).
Form criticism as a method of biblical criticism classifies units of scripture by literary pattern and then attempts to trace each type to its period of oral transmission. [1] [failed verification] "Form criticism is the endeavor to get behind the written sources of the Bible to the period of oral tradition, and to isolate the oral forms that went into the written sources.
Bultmann thus thought of his endeavor of "demythologizing the New Testament proclamation" as fundamentally an evangelism task, clarifying the kerygma, or gospel proclamation, by stripping it of elements of the first-century "mythical world picture" that had potential to alienate modern people from Christian faith:
The Stromata (Greek: Στρώματα), a mistake for Stromateis (Στρωματεῖς, "Patchwork," i.e., Miscellanies), attributed to Clement of Alexandria (c. 150 – c. 215), is the third of a trilogy of works regarding the Christian life.
Writing for Corriere della Sera, Stefano Ferri suggested that The Answer Man was potentially the best work of King's career. [9] Ali Karim of Shots magazine described The Answer Man as "a dark morality tale, written in a beguiling style that starts with whimsy, but soon turns nasty" and as "an EC horror styled narrative that is both incisive ...
The idea that it was possible to ignore genre constraints and the idea that each literary work was a "genre unto itself" [6] gained popularity. Genre definitions were thought to be "primitive and childish." [6] At the same time, the Romantic period saw the emergence of a new genre, the 'imaginative' genre. [7]
As one of the founders of Rhetorical Genre Studies, Devitt is known as contributing the evolution of genres and the relation to language change, [7] introducing the concept of genre sets, [8] [9] clarifying the reciprocal relationship between formal genre markers and recognition of genre activity, [10] and elaborating the pedagogic implications of genre awareness and antecedent genres.