Search results
Results from the WOW.Com Content Network
Kerygma (from Ancient Greek: κήρυγμα, kḗrygma) is a Greek word used in the New Testament for "proclamation" (see Luke 4:18-19, Romans 10:14, Gospel of Matthew 3:1). It is related to the Greek verb κηρύσσω ( kērússō ), literally meaning "to cry or proclaim as a herald" and being used in the sense of "to proclaim, announce ...
According to Alastair Fowler, the following elements can define genres: organizational features (chapters, acts, scenes, stanzas); length; mood; style; the reader's role (e.g., in mystery works, readers are expected to interpret evidence); and the author's reason for writing (an epithalamion is a poem composed for marriage).
Bultmann thus thought of his endeavor of "demythologizing the New Testament proclamation" as fundamentally an evangelism task, clarifying the kerygma, or gospel proclamation, by stripping it of elements of the first-century "mythical world picture" that had potential to alienate modern people from Christian faith:
The deliberative genre of rhetoric involves speeches or writing meant to persuade an audience to take action. Deliberative rhetoric thus includes rhetoric that is used for political persuasion, discusses matters of public policy in order to determine what is advantageous or disadvantageous, and is usually concerned with the future.
The idea that it was possible to ignore genre constraints and the idea that each literary work was a "genre unto itself" [6] gained popularity. Genre definitions were thought to be "primitive and childish." [6] At the same time, the Romantic period saw the emergence of a new genre, the 'imaginative' genre. [7]
As one of the founders of Rhetorical Genre Studies, Devitt is known as contributing the evolution of genres and the relation to language change, [7] introducing the concept of genre sets, [8] [9] clarifying the reciprocal relationship between formal genre markers and recognition of genre activity, [10] and elaborating the pedagogic implications of genre awareness and antecedent genres.
Summarization (also referred to as summary, narration, or narrative summary) is the fiction-writing mode whereby story events are condensed. The reader is told what happens, rather than having it shown. [6] In the fiction-writing axiom "Show, don't tell" the "tell" is often in the form of summarization. Summarization has important uses:
Mythology and literature thus inhabit and function within the same imaginative world, one that is "governed by conventions, by its own modes, symbols, myths and genres" (Hart 23). Integrity for criticism requires that it too operates within the sphere of the imagination, and not seek an organizing principle in ideology. To do so, claims Frye,