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Paul Rand (born Peretz Rosenbaum; August 15, 1914 – November 26, 1996) was an American art director and graphic designer. He was best known for his corporate logo designs, including the logos for IBM , UPS , Enron , Morningstar, Inc. , Westinghouse , ABC , and NeXT .
Cover design by Paul Rand The Well Wrought Urn: Studies in the Structure of Poetry is a 1947 collection of essays by Cleanth Brooks . It is considered a seminal text [ 1 ] in the New Critical school of literary criticism .
Rand believed that political advocacy could not succeed without addressing what she saw as its methodological prerequisites. Rand rejected any affiliation with the libertarian movement and many other Objectivists have done so as well. [19] Of libertarians, Rand said: They're not defenders of capitalism. They're a group of publicity seekers.
An Essay on Typography is a 1931 book by Eric Gill about the history of typographical art and production.It has been considered a classic since its first publication. The influential graphic designer Paul Rand called it 'timeless and absorbing' in a review for The New York Times.
Aesthetic criticism is a part of aesthetics concerned with critically judging beauty and ugliness, tastefulness and tastelessness, style and fashion, meaning and quality of design—and issues of human sentiment and affect (the evoking of pleasure and pain, likes and dislikes). Most parts of human life have an aesthetic dimension, which means ...
Art criticism is the discussion or evaluation of visual art. [1] [2] [3] Art critics usually criticize art in the context of aesthetics or the theory of beauty. [2] [3] A goal of art criticism is the pursuit of a rational basis for art appreciation [1] [2] [3] but it is questionable whether such criticism can transcend prevailing socio ...
Sen. Rand Paul insisted Monday that more Americans should be able to get tested for the novel coronavirus even if they are asymptomatic after he faced criticism for being tested for COVID-19 ...
She is the author of numerous books on design and cultural criticism, including Paul Rand: American Modernist (1998), Screen: Essays on Graphic Design, New Media and Visual Culture (2001) and Reinventing the Wheel (2002), which formed the basis for an exhibit in 2004 at the Grolier Club in New York City.