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Genette was born in Paris, where he studied at the Lycée Lakanal and the École Normale Supérieure, University of Paris. [1] After leaving the French Communist Party, Genette was a member of Socialisme ou Barbarie during 1957–8. [2] He received his professorship in French literature at the Sorbonne in 1967.
Literary theorist Gérard Genette defines paratext as those things in a published work that accompany the text, things such as the author's name, the title, preface or introduction, or illustrations. He states, "More than a boundary or a sealed border, the paratext is, rather, a threshold."
Transtextuality is defined as the "textual transcendence of the text".According to Gérard Genette transtextuality is "all that sets the text in relationship, whether obvious or concealed, with other texts" and it "covers all aspects of a particular text". [1]
Palimpsests: Literature in the Second Degree is a 1982 book by French literary theorist Gérard Genette.Over the years, the book's methodological proposals have been confirmed as effective operational definitions, and have been widely adopted in literary criticism terminology.
In narratology (and specifically in the theories of Gérard Genette), [10] a paradoxical transgression of the boundaries between narrative levels or logically distinct worlds is also called metalepsis. Perhaps the most common example of metalepsis in narrative occurs when a narrator intrudes upon another world being narrated.
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Amid growing anxieties surrounding reported drone sightings, the FBI has issued a warning against a new trend of pointing lasers at aircrafts.
The article matches only a part of Genette's work because it only talks about his narrathology theory. His theory about palimpsestes, intertextuality, paratexts is only mentioned, and his latest works on analitic philosophy are not even mentioned.