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Ando Jubei (1876–1956) [1] was a Japanese cloisonné artist from Nagoya. [ 2 ] [ 3 ] [ 4 ] Along with Hayashi Kodenji, he dominated Nagoya's enameling industry in the late Meiji era . [ 5 ] Ando, Namikawa Yasuyuki , and Namikawa Sōsuke are considered the three artists whose technical innovations brought in the "Golden Age for Japanese ...
Banko ware Okame female figurine, Edo period, 19th century. Banko ware (萬古焼, Banko-yaki) is a type of Japanese pottery traditionally from Yokkaichi, Mie. It is therefore also known as Yokkaichi-Banko ware. [1] It is believed to have originated in the 18th century. [2] Most products are teacups, teapots, flower vases, and sake vessels.
These two types represented the finest porcelain produced after the export trade stalled by the 1740s. Unlike Nabeshima ware, Hirado went on to be a significant exporter in the 19th century. During the 17th century, in Kyoto, then Japan's imperial capital, kilns produced only clear lead-glazed pottery that resembled the pottery of southern China.
The Dutch began to buy on a small scale in the 1650s, by 1656 ordering 4,149 pieces. But in 1659 64,866 pieces were ordered, beginning the large scale trade that was to continue for nearly a century; [6] in later years orders were often in six figures of pieces. For the rest of the century, the great bulk of Japanese porcelain was made for ...
Arita ware incense burner (kōro) with domestic scenes, late Edo period/early Meiji era, 19th century. Nabeshima ware was an Arita product, with overglaze decoration of a very high quality, produced for the Nabeshima Lords of the Saga Domain from the late 17th century into the 19th, with the first half of the 18th century considered the finest ...
It developed supplying the domestic Japanese market in the 18th century, in the gap between the two main periods of Japanese export porcelain, and produced much of the best Japanese porcelain of the late 18th century and early 19th century. When large-scale exports resumed, it had a good share in the trade.
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