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The field camera, the Komamura Horseman VH-R used by Rankin, had a tiltable lens board, meaning the lens could be tilted to alter the plane of focus to provide a huge depth of field, making the entire image razor sharp from foreground to background. This technique, together with the use of medium format film, rather than 35mm, made his images ...
Rankin/Bass Animated Entertainment (founded and formerly known as Videocraft International, Ltd. and Rankin/Bass Productions, Inc.) was an American production company located in New York City. It was known for its seasonal television specials, usually done in stop motion animation. Rankin/Bass's stop-motion productions are recognizable by their ...
The user interface for early telestrators required the user to draw on a TV screen with a light pen, whereas modern implementations are commonly controlled with a touch screen or a graphics tablet. The late NFL color commentator John Madden famously used a telestrator during football games for many years, boosting the device's popularity. [ 5 ]
Each entry starts with an illustration of a camera (usually drawn by Ortiz himself), accompanied by a sentimentally curated gallery of images taken with it, all snapped by the same photographer.
The character is a far cry from the much gentler role of Roger Wakefield MacKenzie, whom Rankin plays in Starz’s time-traveling romance. “I find [Rebus] himself as quite self-loat.
The camera also had the rare ability to allow selection between frame sizes (horizontal 24×36 mm or vertical 18×24 mm) between frames on the same roll of film. The camera used a mechanical "trap-needle" autoexposure system controlled by an external CdS meter that read light directly (not through-the-lens). [211] [339] [340] [341] 1967
Parents have organized a protest at a Cracker Barrel in Waldorf, Maryland after special education students were denied dine-in service.
Analogous to this "Rule of thirds", (if I may be allowed so to call it) I have presumed to think that, in connecting or in breaking the various lines of a picture, it would likewise be a good rule to do it, in general, by a similar scheme of proportion; for example, in a design of landscape, to determine the sky at about two-thirds ; or else at ...