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In music, four note group patterns, alternately called "four-note digital patterns" [1] or simply "four note patterns", are one of many ways to formulate improvised solos in jazz. "Four-Note Grouping is an improvisation technique that uses major and minor triads along with specific passing notes as a means of generating lines.
Music from Odds Against Tomorrow (also released as Patterns) is an album by American jazz group the Modern Jazz Quartet featuring interpretations of the soundtrack score for the 1959 motion picture Odds Against Tomorrow.
The music chosen by the ice dance teams for the RD, including music for the specified pattern dance, can include vocals, must be "suitable for Ice Dance as a sport discipline" [2] and must reflect the character of the music and/or selected dance rhythms and/or themes. [10] The RD must fit the phrasing of the music ice dance teams use.
Tessa Virtue and Scott Moir performing the Golden Waltz. The compulsory dance (CD), now called the pattern dance, is a part of the figure skating segment of ice dance competitions in which all the competing couples perform the same standardized steps and holds to the music of a specified tempo and genre.
[2] [3] Many remastered CDs from the late 1990s onwards have been affected by the "loudness war", where the average volume of the recording is increased and dynamic range is compressed at the expense of clarity, making the remastered version sound louder at regular listening volume and more distorted than an uncompressed version.
Simple melodic pattern. Play ⓘ Melodic sequence on the lines "Send her victorious," and "Happy and glorious," from "God Save the Queen" Play ⓘ In music and jazz improvisation, a melodic pattern (or motive) is a cell or germ serving as the basis for repetitive pattern. It is a figure that can be used with any scale.
Equivalent patterns in 4 4 and 3 4 [1] Play 4 4 ⓘ and Play 3 4 ⓘ Alberti bass patterns on V 7 Alberti bass in the opening of Thomas Attwood's (1765–1838) Sonatina in G Major [2] Play ⓘ Alberti bass in the opening of Muzio Clementi's Sonatina in G, Op. 36, No. 2 (1797) [3] Play ⓘ The opening of the 5th of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces ...
In European art music, the common practice period was the period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system, and began developing other systems as well.