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Date/Time Thumbnail Dimensions User Comment; current: 20:43, 7 March 2014: 1,504 × 3,228 (498 KB): Hiart {{Information |Description ={{en|1=Bush cow mask/headress, Bamileke people, Cameroon, early 20th century, carved wood, Honolulu Museum of Art, accession 4368.1}} |Source ={{own}} |Author =Hiart |Date =photo...
The style of the painting is deliberately primitive; the large cow occupies most of the canvas, in a greenish background, which seems to represent her pasture. The cow appears unusually large, in a brownish-yellow colour. Her eyes and nose seems also very big. The title of the painting is an ironic reference to that particular feature. [4]
An adorned wood face mask from the We (Wee) people of West Africa, dated to the 20th century is in the permanent African collection at the Indianapolis Museum of Art (as acquisition number 1989.373) and on display in the Eiteljorg Suite of African and Oceanic Art.
Vejigante masks on display in San Juan, Puerto Rico. In the 12th century, St. James the Apostle, the patron saint of Spain, was once believed in Spanish legend to have led the Catholic militia in the mythical Battle of Clavijo to victory against the Moors in 844. On his saints day, when people celebrated the victory, the vejigante represented ...
The horns of the bush cow mask refer to the "female bush cow ancestor." The mouth is often compared to that of a crocodile. [8] These masks are supposed to represent the power of the bush. The masks function in conjunction with Chamba events like circumcision, initiation of chiefs, and funerals. [13] These masks are stored in the bush.
Related: Highland Cow Does Most Precious 'Happy Hops' at Snacktime "The cows on the farm are very happy preparing for Christmas," the video's caption reads. The comments section was simply obsessed.
Ivan Durrant is an Australian painter, performance artist and writer. [1] Known for creating art with "great shock value", [2] such as the 1975 "Slaughtered Cow Happening" outside the National Gallery of Victoria, Durrant is often described as the enfant terrible of Australian art.
Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred.
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