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The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B ♭ (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular.
Philip Farkas (1914–1992), principal horn of the Chicago Symphony, left what became Schilke Music Products in 1956 and joined with Holton, designing the Holton Farkas Model french horn. Ethel Merker (1923-2012), prominent horn player in Chicago, collaborated in the design and development of the Merker-Matic [16] line of horns. [17] [18]
Holton-Farkas is a product line of French horns and mouthpieces created through the joint venture of musical instrument manufacturer Frank Holton & Co. and legendary horn virtuoso Philip Farkas. The first model was released in 1958, and although no new models are being made (Farkas died in 1992), the series is still being manufactured today. [1]
In a French horn, the length of tubing (and the bore size) make the partials much closer together than other brass instruments in their normal range and, therefore, harder to play accurately. The F mellophone has tubing half the length of a French horn, which gives it an overtone series more similar to a trumpet and most other brass instruments.
The Frenchie in a two piston or F/F# piston/rotor configuration was a highly popular instrument as a bridge between baritone and soprano voices due to the near-chromatic nature of the instrument in this range. The French horn bugle is still available in a three valve configuration.
The pear-shaped bell (called Liebesfuß) of the cor anglais gives it a more covered timbre than the oboe, closer in tonal quality to the oboe d'amore.Whereas the oboe is the soprano instrument of the oboe family, the cor anglais is generally regarded as the alto member of the family, and the oboe d'amore—pitched between the two in the key of A—as the mezzo-soprano member. [5]
In 1991 he received a patent for the "hornette," an instrument with the same range as a French Horn but with a forward-facing bell for greater projection. He taught at the State University of New York at Purchase from 2001 until 2008, subsequently moving to faculty at Manhattan School of Music.
Many notable French horn musicians struck out in smaller groups, giving the instrument a headliner role in jazz combos. A good account of the presence of the French horn in jazz is Ronald Sweetman's study, A Preliminary Chronology of the Use of the French Horn in Jazz, Further Rev. 1991 Text, Montréal Vintage Society, 1991, ISBN 1-895002-05-2.
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