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Good Night, Dear Lord is the fourth album by American pop singer Johnny Mathis that was released by Columbia Records on March 3, 1958, [1] and is the first of many projects undertaken over the course of his career that have a specific focus, which here happens to be religion.
Mathis conveyed his appreciation of Legrand's music in the liner notes for the album, describing him as "the consummate composer. His arrangements are endlessly inventive and deeply passionate." [ 2 ] His appreciation was equally enthusiastic for the Bergman's lyrics: "They express the desires of romance with a rare sophistication.
"Love Theme from Romeo and Juliet (A Time for Us)" (Larry Kusik, Nino Rota, Eddie Snyder) – 2:58 Jack Gold - producer [ 5 ] Ernie Freeman - arranger, conductor [ 5 ]
Mathis' first record album, Johnny Mathis: A New Sound In Popular Song, was a slow-selling jazz album, but Mathis stayed in New York City to sing in nightclubs. His second album was produced by Columbia Records vice-president and record producer Mitch Miller , who helped to define the Mathis sound.
"Love Theme from "Romeo and Juliet" (A Time for Us)" from Romeo and Juliet (Larry Kusik, Nino Rota, Eddie Snyder) – 2:58 rec. for his 1969 album Love Theme From "Romeo And Juliet" (A Time For Us) Personnel. Jack Gold – producer (tracks 1, [13] 5 [14]) Johnny Mathis – producer (track 2) [15] Mitch Miller – producer (tracks 3, [16] 4 [8])
Friends in Love is an album by American pop singer Johnny Mathis that was released on April 5, 1982, [1] by Columbia Records and included six original songs, two of which were duets with Dionne Warwick.
Isn't It Romantic: The Standards Album is an album by the American pop singer Johnny Mathis that was released on February 1, 2005, [1] by Columbia Records.In an interview that year with NPR's Ed Gordon, the singer describes a conversation he had with record company executives: "They said, 'We want you to sing the most popular songs from the American musical theater that you haven't sung in the ...
J. T. Griffith of Allmusic wrote, "The album is an example of the classic romantic mood that made Mathis a superstar." [3] His summation reveals that he was especially taken by the song that gave the album its name: "A classic Mathis album with a title track that ranks with 'Misty' as one of his best." [3]