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  2. Sargam notes - Wikipedia

    en.wikipedia.org/wiki/Sargam_notes

    Sargam (from SA-RE-GA-MA), a technique for the teaching of sight-singing, is the Hindustani or North Indian equivalent to the western solfege. Sargam is practiced against a drone and the emphasis is not on the scale but on the intervals, thus it may be considered just intonation. The same notes are also used in South Indian Carnatic music.

  3. Sargam (music) - Wikipedia

    en.wikipedia.org/wiki/Sargam_(music)

    Sargam refers to singing the notes, mostly commonly used in Indian music, instead of the words of a composition, with use of various ornamentations such as meend, gamak, kan and khatka, as part of a khyal performance. This is generally done in medium-tempo as a bridge between the alap and taan portions.

  4. Sargam - Wikipedia

    en.wikipedia.org/wiki/Sargam

    Sargam (music), singing the notes of a musical composition Sargam notes, the notes sung this way. Sargam, a 1950 Indian Hindi-language family drama film by P.L. Santoshi; Sargam, a 1979 Indian Hindi-language film by Kasinathuni Vishwanath, starring Rishi Kapoor and Jayapradha; Sargam, a 1992 Indian Malayalam-language film by Hariharan, starring ...

  5. Sinhala script - Wikipedia

    en.wikipedia.org/wiki/Sinhala_script

    Sinhala had its numerals (Sinhala illakkam), which were used from prior to the fall of Kandyan Kingdom in 1815. They can be seen primarily in Royal documents and artefacts. Sinhala Illakkam did not have a zero, but did have signs for 10, 20, 30, 40, 50, 60, 70, 80, 90, 100, 1000. This system has been replaced by the Hindu–Arabic numeral system.

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  7. Patdeep - Wikipedia

    en.wikipedia.org/wiki/Patdeep

    It is an Audava-Sampoorna raga, implying that it has 5 notes in Arohana and 7 in Avarohana. Raag Patdeep is formed when pure N is taken instead of komal n in Raag Bhimpalasi . Patdeep is essentially Gowrimanohari sans rishaba and dhaivata in ascent.

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  9. Durga (raga) - Wikipedia

    en.wikipedia.org/wiki/Durga_(raga)

    Durga has the same notes as Malhar, another popular raag and one of old pedigree. The aural experience of both are significantly different. Technically, they are made apart by the use of rishabh (Re). Durga is also readily distinguished by its salient use of the phrase Sa Re Dha Sa. 1) Common phrase Re Pa, distinguished by the use of Re