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The Renaissance has a long and complex historiography, and in line with general skepticism of discrete periodizations, there has been much debate among historians reacting to the 19th-century glorification of the "Renaissance" and individual cultural heroes as "Renaissance men", questioning the usefulness of Renaissance as a term and as a ...
High Renaissance sculpture, as exemplified by Michelangelo's Pietà and the iconic David, is characterized by an "ideal" balance between stillness and movement. High Renaissance sculpture was normally commissioned by the public and the state, this becoming more popular for sculpture is an expensive art form.
Renaissance – cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era , but since the changes of the Renaissance were not uniform across Europe, this is a general use of the term.
The English Renaissance was a cultural and artistic movement in England during the late 15th, 16th and early 17th centuries. [1] It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late 14th century.
The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th. This new figurative language was linked to a new way of thinking about humankind and the world around it, based on the local culture and humanism already highlighted ...
Paragone (Italian: paragone, meaning comparison), was a debate during the Italian Renaissance in which painting and sculpture (and to a degree, architecture) were each championed as forms of art superior and distinct to each other. [1]
The Discarded Image: An Introduction to Medieval and Renaissance Literature is a non-fiction book by C. S. Lewis. It was his last book and deals with medieval cosmology and the Ptolemaic universe. It portrays the medieval conception of a "model" of the world, which Lewis described as "the medieval synthesis itself, the whole organization of ...
This article about the development of themes in Italian Renaissance painting is an extension to the article Italian Renaissance painting, for which it provides additional pictures with commentary. The works encompassed are from Giotto in the early 14th century to Michelangelo 's Last Judgement of the 1530s.