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The following works are some of the most universally respected and established cornerstones of the band repertoire. All have "stood the test of time" through decades of regular performance, and many, either through an innovative use of the medium or by the fame of their composer, helped establish the wind band as a legitimate, serious performing ensemble.
For a full catalog raisonné containing the dates, places and participants of premieres as well as the names and sources for lost works (especially the early chamber and orchestral music), abandoned works (like the opera Silk or the film score to Goodbye, Mr. Chips), rejected works (like the film score to See No Evil) and withdrawn works (like the Cello Concerto No. 1) see Frédéric Döhl ...
Op. 18, Les Illuminations, for soprano or tenor and strings (words by Arthur Rimbaud), 1939; Op. 19, Canadian Carnival overture, 1939; Op. 20, Sinfonia da Requiem, 1940; Op. 21, Diversions for Piano Left Hand and Orchestra, 1940, revised 1954; Op. 22, Seven Sonnets of Michelangelo for tenor and piano, 1940; Op. 23 2 Pieces for 2 Pianos, 1940-1941
The compositions listed below are grouped thematically, i.e. by type of composition. Only relatively few of Mozart's compositions have opus numbers, as not so many of his compositions were published during his lifetime, so numbering by opus number proves quite impractical for Mozart compositions.
Bach selected mostly keyboard compositions for publication, which conformed to such contemporary practices, and was instrumental in establishing him as a keyboard composer. His works not only circulated in print: also manuscripts were copied and transmitted. Whether or not a work was selected for print was independent of the quality of the music.
The following is a list of musical works by the English composer Arthur Sullivan, best known for his operatic collaborations with W. S. Gilbert. In all, Sullivan's artistic output included 23 operas, 13 major orchestral works, eight choral works and oratorios, two ballets, one song cycle, incidental music to several plays, numerous hymns and ...
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A virtuoso pianist himself, much of his output is dedicated to solo works for the instrument and is particularly technically demanding. The primary cataloguing system for his compositions was developed by Humphrey Searle; it has been thoroughly revamped by Michael Short and Leslie Howard.
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