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In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1] The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note".
In music, especially Schenkerian analysis, a voice exchange (German: Stimmtausch; also called voice interchange) is the repetition of a contrapuntal passage with the voices' parts exchanged; for instance, the melody of one part appears in a second part and vice versa.
In music theory, contrapuntal motion is the general movement of two or more melodic lines with respect to each other. [1] In traditional four-part harmony, it is important that lines maintain their independence, an effect which can be achieved by the judicious use of the four types of contrapuntal motion: parallel motion, similar motion, contrary motion, and oblique motion.
A non-degree program offered by various conservatories and schools of music for exceptional and experienced performers Service Playing Certificate of the American Guild of Organists: SPC: Professional designation by the American Guild of Organists [34] Colleague of the American Guild of Organists: CAGO
Gould called this method "contrapuntal" radio. (The term contrapuntal normally applies to music in which independent melody lines play simultaneously; this type of music, exemplified by J. S. Bach, was the major part of Gould's repertoire.) As he described the format, "every voice leads its own … life and adheres to certain parameters of ...
The six-part fugue in the "Ricercar a 6" from The Musical Offering, in the hand of Johann Sebastian BachIn classical music, a fugue (/ f juː ɡ /, from Latin fuga, meaning "flight" or "escape" [1]) is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Graduates of the training program may become accredited trainers of Playback Theatre (APTTs). Other schools for training exist in Italy, [5] Germany, [6] Japan. [7] and São Paulo, Brazil, [8] [9] Russia, United Kingdom, Israel, Hungary, Hong Kong, Australasia [10] and Sweden. The Playback Centre keeps an online list of affiliated schools [11]