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Rafter Romance is an American 1933 pre-Code romantic comedy film directed by William A. Seiter and released by RKO Radio Pictures.The film, which was based on the 1932 novel of the same name by John Wells, stars Ginger Rogers, Norman Foster and George Sidney, and features Robert Benchley, Laura Hope Crews and Guinn Williams.
This page was last edited on 5 September 2020, at 03:39 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
April 14, 1933 The White Sister: April 28, 1933 Looking Forward: May 5, 1933 The Devil's Brother: May 12, 1933 The Barbarian: May 19, 1933 Made on Broadway: May 26, 1933 Peg o' My Heart: A Cosmopolitan production June 2, 1933 The Nuisance: June 9, 1933 Hell Below: June 16, 1933 Reunion in Vienna: June 23, 1933 When Ladies Meet: A Cosmopolitan ...
Title Director Featured Cast Genre Note 42nd Street: Lloyd Bacon: Warner Baxter, Bebe Daniels, George Brent, Una Merkel, Ruby Keeler, Guy Kibbee, Ginger Rogers, Dick Powell, Ned Sparks, George E. Stone, Allen Jenkins
Today We Live is a 1933 American pre-Code romance drama film produced and directed by Howard Hawks and starring Joan Crawford, Gary Cooper, Robert Young and Franchot Tone. [ 2 ] Based on the story "Turnabout" by William Faulkner , which appeared in the Saturday Evening Post on March 5, 1932, the film is about two officers during World War I ...
Secrets is a 1933 American pre-Code Western film directed by Frank Borzage and starring Mary Pickford in her last film role. The film is a remake of Secrets (1924), a silent film starring Norma Talmadge , which was based on a 1922 play of the same name .
Chance at Heaven is a 1933 American pre-Code drama film directed by William A. Seiter and written by Julien Josephson and Sarah Y. Mason based on a 1932 short story of the same name by Vina Delmar. The film stars Ginger Rogers, Joel McCrea, Marian Nixon, Andy Devine and Lucien Littlefield. It was released on October 27, 1933 by RKO Pictures. [1 ...
[2] and Frank Nugent in The New York Times wrote, "The sudden transition from hard-boiled wisecracking romance to sentimental penitence provides a jolt." [ 2 ] Nevertheless, the critics praised Harlow and Gable, and the film was a smashing box office success, grossing $1.1 million ($654,000 in the US and Canada and $419,000 elsewhere [ 1 ] ) on ...
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