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The second type was a wooden sheath, probably covered with leather. One metal plate was attached to the front of the wooden sheath. This plate was fairly flat and was heavily decorated with inlaid silver and enamel. Occasionally tin was used. The suspension rings resembled small Roman military buckles and were hinged to the sides of the sheath ...
T'boli and Mandaya badao daggers with sheaths in the National Museum of Anthropology An Iranun pirate from Sabah (formerly part of the Sultanate of Sulu), with a kampilan, a gunong dagger tucked in his sash, and a budjak (spear) The gunong is a dagger variant of the kalis, a Philippine sword derived from the Indonesian kris dagger. The gunong ...
The most famous type of jambiya is that which has a "saifani" or ivory handle; it has a dim yellowish lustre. The more translucent ivory will turn a yellow colour with age and is called "saifani heart". Some of the ivory handles are called "asadi" when they turn into a greenish yellow. When the handle becomes whitish yellow, it is called "zaraf".
The jile is a curved dagger ranging in length from 30 centimetres (12 in) to more than 50 centimetres (20 in). The handle is typically made of wood or more rarely from buffalo or rhinoceros horn. The pommel often ends with three teeth of bronze, zinc or silver. The middle tooth is the most prominent.
The handle is in the shape of a large red dragon's head and the blade is an ethereal blade of yellow-orange flame that can be adjusted in length. Thus the sword as a whole resembles a dragon breathing fire.
This was determined by comparing the dagger and sheath to other items of similar constructor depiction (through wall paintings and fragments). [1] The dagger has a decorative and functional head at the end of the handle and the sheath has two side appendages. These were used to attach the dagger to the carrier's belt, from which it hung ...
The handles are of a characteristic shape, almost like the grip of a pistol, specific to the piha kaetta. Often the grip-scales are carved with the liya-pata, a stylised 'breaking wave' pattern. This type of handle usually has small silver plaques, often flower-shaped, pinned to each side and a larger, curving, repoussé silver or brass pommel-cap.
A handle of a kusarigama is surrounded by raden, which is a lacquer wood inlay that contains pieces of mother-of-pearl. The handle often has metal bands or strips for reinforcement at either end. [8] Ellis Amdur’s book Old School: Essays on Japanese Martial Traditions retells a myth about the origin of the kusarigama.
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- 3579 S High St, Columbus, OH · Directions · (614) 409-0683
