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The Eiffel Tower (/ ˈ aɪ f əl / ⓘ EYE-fəl; French: Tour Eiffel [tuʁ ɛfɛl] ⓘ) is a wrought-iron lattice tower on the Champ de Mars in Paris, France. It is named after the engineer Gustave Eiffel , whose company designed and built the tower from 1887 to 1889.
The engraving was painted over at the beginning of the 20th century and restored in 1986–87 by Société Nouvelle d'exploitation de la Tour Eiffel, the company that the city of Paris contracts to operate the Tower. The repainting of 2010–11 restored the letters to their original gold colour.
Champs de Mars: The Red Tower (French: Champs de Mars: La Tour Rouge) is an oil on canvas painting by the French painter Robert Delaunay, from 1911. It shows an orphic representation of the Eiffel Tower, in Paris. The painting is held in the Art Institute of Chicago. [1]
The tallest structure in the City of Paris and the Île-de-France remains the Eiffel Tower in the 7th arrondissement, 330 meters high, completed in 1889 as the gateway to the 1889 Paris Universal Exposition.
It is situated on the left bank of the Pont de Bir-Hakeim over the Seine and is the closest station to the Eiffel Tower. After being built in 1906 as "Grenelle", it was renamed together with the bridge to commemorate the World War II battle of Bir Hakeim. The signs on the station walls now say "Bir-Hakeim — Tour Eiffel".
The Tour métallique de Fourvière by day, viewed from the southwest. The Tour métallique de Fourvière ("Metallic tower of Fourvière"), a landmark of Lyon, France, is a steel framework tower which bears a striking resemblance to the Eiffel Tower, which predates it by three years.
Eiffel Tower Charles Léon Stephen Sauvestre (26 December 1847 – 26 December 1919) was a French architect . He is notable for being one of the architects contributing to the design of the world-famous Eiffel Tower , built for the 1889 Universal Exposition in Paris , France .
The Eiffel Tower and Other Mythologies is a collection of essays by the French literary theorist Roland Barthes. [1] It is a companion volume to his earlier book, Mythologies , and follows the same format of a series of short essays which explore a range of cultural phenomena, from the Tour de France to laundry detergents.
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