Search results
Results from the WOW.Com Content Network
Variety of Western Jew's harps Karl Eulenstein, famed German Maultrommelspieler the range of a tenor Jew's harp [1] Play as string harmonics ⓘ Morsing Bamboo Jew's harps Bass Đàn môi Leo Tadagawa playing a mukkuri 7 tuned Kyrgyz komuz. This is a list of musical pieces and songs that include or feature the Jew's harp or other resonance ...
Elizabeth Jaxon - American harpist, director of the DHF World Harp Competition and member of the band Atlantic Harp Duo; Maria Johansdotter (fl. 1706) - Swedish harpist, folk music player and parish clerk, put on trial for homosexuality and for posing as a man; Claire Jones - Welsh harpist; Edward Jones (1752–1824) - Welsh harpist and ...
This page was last edited on 29 January 2024, at 22:53 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Sonata for flute, violin, cello and harp (1986) Songs Without Words for flute and harp (1998) Joseph Bologne, Chevalier de Saint-Georges. Sonata for flute and harp; Howard J. Buss. Alpine Spring for flute and harp (2008) Inner Quest for flute and harp (2011) Saint Francis and the Animals for flute, clarinet and harp (2013)
The Jew's harp, also known as jaw harp, juice harp, or mouth harp, [nb 1] is a lamellophone instrument, consisting of a flexible metal or bamboo tongue or reed attached to a frame. Despite the colloquial name, the Jew's harp most likely originated in Siberia , specifically in or around the Altai Mountains , and is of Turkic origin.
Yossi Green (b. 1955), Hasidic Jewish composer of contemporary Jewish religious music [9] Judd Greenstein (b. 1979) composer, often associated with the Indie Classical movement. Michael Isaacson (b. 1946) composer of Jewish synagogue music. Bronisław Kaper (1902–1983), naturalized American film score composer of Polish-Jewish origin.
The music may have preserved a few phrases in the reading of Scripture which recalled songs from the Temple itself; but generally it echoed the tones which the Jew of each age and country heard around him, not merely in the actual borrowing of tunes, but more in the tonality on which the local music was based.
This page was last edited on 29 October 2023, at 21:53 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.