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In English, gh historically represented [x] (the voiceless velar fricative, as in the Scottish Gaelic word loch), and still does in lough and certain other Hiberno-English words, especially proper nouns. In the dominant dialects of modern English, gh is almost always either silent or pronounced /f/ (see Ough).
The voiced velar fricative is a type of consonantal sound that is used in various spoken languages. It is not found in most varieties of Modern English but existed in Old English . [ 1 ] The symbol in the International Phonetic Alphabet that represents this sound is ɣ , a Latinized variant of the Greek letter gamma , γ , which has this sound ...
The word is intended to be pronounced in the same way as fish (/ f ɪ ʃ /), using these sounds: gh, pronounced / f / as in enough / ɪ ˈ n ʌ f / or tough / t ʌ f /; o, pronounced / ɪ / as in women / ˈ w ɪ m ɪ n /; ti, pronounced / ʃ / as in nation / ˈ n eɪ ʃ ən / or motion / ˈ m oʊ ʃ ən /.
In English, the sound of soft g is the affricate /dʒ/, as in general, giant, and gym. A g at the end of a word usually renders a hard g (as in "rag"), while if a soft rendition is intended it would be followed by a silent e (as in "rage").
In English orthography, the letter k normally reflects the pronunciation of [] and the letter g normally is pronounced /ɡ/ or "hard" g , as in goose, gargoyle and game; /d͡ʒ/ or "soft" g , generally before i or e , as in giant, ginger and geology; or /ʒ/ in some words of French origin, such as rouge, beige and genre.
Conversely, gh is never pronounced /f/ in syllable onsets other than in inflected forms, and is almost never pronounced /ɡ/ in syllable codas (the proper name Pittsburgh is an exception). Some words contain silent letters , which do not represent any sound in modern English pronunciation.
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Not every English word that contains a gh was originally spelled with a yogh: for example, spaghetti is Italian, where the h makes the g hard (i.e., [ɡ] instead of [dʒ]); ghoul is Arabic, in which the gh was /ɣ/. The medieval author Orm used this letter in three ways when writing Early Middle English.