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Sean-Nós Nua is the sixth studio album by Irish singer Sinéad O'Connor, released on 8 October 2002, by Vanguard Records.It consists of traditional Irish songs, the title meaning "new old-style" and also referring to the popular style of traditional Irish music sean-nós.
The most conventional interpretation of the poem is as a lament spoken in the first person by an unnamed woman who is or has in the past been involved with two men whose names are Wulf and Eadwacer respectively. Both of these are attested Anglo-Saxon names, and this interpretation is the basis for the common titling of the poem (which is not ...
Paddy, another derogatory placeholder name for an Irish person, lacks the sharpness of Taig and is often used in a jocular context or incorporated into mournful pro-Irish sentiment (e.g. the songs "Poor Paddy on the Railway" and "Paddy's Lament"). By contrast, the term Taig remains a slur in almost every context.
This is a list of songs by their Roud Folk Song Index number; the full catalogue can also be found on the Vaughan Williams Memorial Library website. Some publishers have added Roud numbers to books and liner notes, as has also been done with Child Ballad numbers and Laws numbers.
A lament or lamentation is a passionate expression of grief, often in music, poetry, or song form. The grief is most often born of regret , or mourning . Laments can also be expressed in a verbal manner in which participants lament about something that they regret or someone that they have lost, and they are usually accompanied by wailing ...
Patrick Reilly (born 18 October 1939) is an Irish folk singer and guitarist. Born in Rathcoole, County Dublin, he is one of Ireland's most famous balladeers and is best known for his renditions of "The Fields of Athenry", "Rose of Allendale" and "The Town I Loved So Well".
Gwerz (Breton: [ɡʷɛ̞ʀz], "ballad", "lament", plural gwerzioù) is a type of folk song of Brittany. In Breton music, the gwerz tells a story [1] which can be epic, historical, or mythological. The stories are usually of a tragic nature. The gwerz is characterised by an often monotonous melody and many couplets, all in the Breton language.
The tradition of rebel music in Ireland date back to the period of English (and later British) crown rule, and describe historical events in Irish history such as rebellions against the Crown and reinforcing a desire for self-determination among the Irish people and the Irish diaspora.