Search results
Results from the WOW.Com Content Network
Cariñosa or Karinyosa is a well known dance around the Philippines with the meaning of the word being affectionate, lovable, and amiable. The dancers use a handkerchief and go through the motions of hide and seek or typical flirtatious and affectionate movements. The dance comes in many forms but the hide and seek is common in all. [31] Kuratsa
The Ramon Obusan Folkloric Group (ROFG) was founded in 1972, and started out as a fledgling folk dance company composed of some thirty performers. [1] Leaning on the vast amount of data and artifacts that he has accumulated while doing research over the years, Ramon Obusan [2] thought of starting a dance company that would mirror the traditional culture of the Philippines through dance and music.
Dances of the Philippines (10 P) F. Philippine dance films (4 P) O. Dance organizations in the Philippines (3 C) Pages in category "Dance in the Philippines"
Tinikling (traditionally written tiniclín) is a traditional Philippine folk dance which originated prior to Spanish colonialism in the area. [1] The dance involves at least two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance.
Originally, the cariñosa was danced with María Clara gown and barong tagalog for it is a Spanish dance. In addition, Filipino wore the patadyong kimona and camisa de chino to reveal nationalism. (a native dress of the Tagalog regions), camisa (a white sleeve) or patadyong kimona (a dress of the Visayan people) and for boys, a barong Tagalog ...
Pages in category "Dances of the Philippines" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. B. Binasuan; C.
The Philippines news show “Kapuso Mo, Jessica Soho” covered the phenomenon in 2012. How the genre became a sensation Budots was such a phenomenon in the Philippines that even politicians ...
The dance immediately became popular in the province for stage performances and social dancing. Later, Mr. Antonino Arreza, a native of Cantilan and a grandfather of Prospero Pichay, Jr., was believed to be the one who composed the lyrics of Itik-itik. Below is the original version of Itik-itik in native Cantilangnon dialect: