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Male-gaze theory also proposes that the male gaze is a psychological "safety valve for homoerotic tensions" among heterosexual men; in genre cinema, the psychological projection of homosexual attraction is sublimated onto the women characters of the story, to distract the spectator of the film story from noticing that homoeroticism is innate to ...
The term "female gaze" was created as a response to the proposed concept of the male gaze as coined by Laura Mulvey. In particular, it is a rebellion against the viewership censored to an only masculine lens and feminine desire regardless of the viewer's gender identity or sexual orientation. [ 13 ]
The "male gaze" is feminist theory that was first developed by Laura Mulvey in 1975. The male gaze occurs when the audience, or viewer, is put into the perspective of a heterosexual male. The male gaze occurs when the audience, or viewer, is put into the perspective of a heterosexual male.
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While male gaze is one of the main enablers of self-objectification, social media is a medium that heavily promotes and enforces self-objectification, especially in women. Women post selfies on social media from camera angles that typify the male gaze perspective, [ 4 ] while the comments section provides a forum for viewers to voice ...
Phallocentrism is the ideology that the phallus, or male sexual organ, is the central element in the organization of the social world. [1] Phallocentrism has been analyzed in literary criticism, psychoanalysis and psychology, linguistics, medicine and health care, and philosophy.
The principle of male as norm holds that grammatical and lexical devices such as the use of the suffix-ess (as in actress) specifically indicating the female form, the use of man to mean "human", and similar means strengthen the perceptions that the male category is the norm, and that corresponding female categories are derivations and thus less important.
The Hutcheons argue that while the male gaze has been traditionally rooted in the idea of sexual privilege, leading to a gendering of the gaze as 'male' in the first place, the character of Salomé undermines this theory by knowingly using the male gaze to her advantage, first by gaining access to Iokanaan via the male gaze and later through ...