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As a result, the remaining concerts scheduled for 1979, namely Blue Öyster Cult on December 14 and Aerosmith on December 21, were canceled, [41] and concert venues across North America switched to reserved seating or changed their rules about festival seating. Cincinnati immediately outlawed festival seating at concerts.
In 2002 the theater moved to a brand new facility in downtown Bethesda, which was a significant upgrade. [2] In 1982, the company was incorporated as a nonprofit under the name "Round House". The company remained a part of the County’s Department of Recreation until 1993, when it became a separate and independent professional theater group. [3]
This page was last edited on 22 February 2017, at 15:50 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
This page was last edited on 22 February 2017, at 16:00 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The Cincinnati Playhouse was under the leadership of Edward Stern (Producing Artistic Director) and Buzz Ward (Executive Director) between 1992 and 2012. Ward had come to the Playhouse from Yale University, where he had led the Yale Repertory Theatre in the late 1980s.
Procter & Gamble Hall, the Aronoff Center's largest theater seating 2,719; Jarson-Kaplan Theater, a mid-size theater seating 437; Fifth Third Bank Theater, a studio theater which seats up to 150; Additional event areas: The Alice F. and Harris K. Weston Art Gallery, a 3,500-square-foot (330 m 2) art gallery
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The League of Resident Theatres (LORT) is a collective bargaining association with over 70 non-profit theatre members in the U.S. LORT members.LORT serves as a way for member resident theaters, also called regional theaters, to bargain collectively on behalf of theater management with Actors' Equity Association, the Stage Directors and Choreographers Society, and United Scenic Artists.