Search results
Results from the WOW.Com Content Network
Simian Mobile Disco at Amnesia, 2012. In February 2012, Simian Mobile Disco announced the follow-up to Delicacies, Unpatterns, which was released on 14 May 2012. "Seraphim" was released as the album's lead single on 9 April. [8]
James Ellis Ford (born 11 December 1978) is an English record producer and songwriter, known for being a member of Simian Mobile Disco and the Last Shadow Puppets as well as his production work with Arctic Monkeys, Blur, Depeche Mode, Foals, Florence and the Machine, Haim, Gorillaz, Klaxons, Jessie Ware, Kylie Minogue, Declan McKenna and the Pet Shop Boys.
Murmurations is the sixth studio album by English electronic music duo Simian Mobile Disco.It was released on 11 May 2018 under Wichita Recordings. [1] The album title and many of the track titles are inspired by how the members of the choir ended up following the sounds of their nearest neighbors, much like flocking birds.
Attack Decay Sustain Release is the debut album from Simian Mobile Disco. It was released on 18 June 2007 on Wichita Recordings and reached #59 in the UK album charts. History
Temporary Pleasure is the second album by Simian Mobile Disco. It was released in the United Kingdom on 17 August 2009. It was released in the United Kingdom on 17 August 2009. It was available in LP, CD and deluxe limited edition CD formats.
"Hustler" is a song by English electronic music duo Simian Mobile Disco, released a single from their debut studio album Attack Decay Sustain Release. It features Char Johnson on lead vocals. [1] It was featured in DJ Hero 2 as part of the "Electro Hits" DLC pack, mixed with "Pump Up the Jam" by Technotronic. [2]
Simian Mobile Disco: Simian Mobile Disco chronology; Whorl (2014) Welcome to Sideways (2016) Murmurations (2018) ... James Ford produced albums for Foals, ...
The longer version of the film is 20 minutes. Simian Mobile Disco's James Ford explained to NME that the video was difficult to produce because it was considered too unconventional due to its length. "We had quite a lot of opposition to it because it doesn't really work with a traditional music format," he said.