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Lydia Lunch released her version of the song on her 1980 album Queen of Siam. The lyrics are addressed to "a spooky little boy". Another gender-flipped version was recorded by Martha Reeves and released on the album In the Midnight Hour in 1986. In this version, the line "spooky little girl like you" is changed to "spooky old lady like me".
Into the Woods is the soundtrack album to the 2014 Walt Disney Pictures musical fantasy film of the same name.The album features music written and composed by Stephen Sondheim, and featuring vocals from the film's ensemble cast including Meryl Streep, Emily Blunt, James Corden, Anna Kendrick, Chris Pine, Johnny Depp, Daniel Huttlestone, Lilla Crawford, MacKenzie Mauzy, Tracey Ullman, Christine ...
"Stormy" is a hit song by the Classics IV released on their LP Mamas and Papas/Soul Train in 1968. It entered Billboard Magazine October 26, 1968, peaking at #5 [4] on the Billboard Hot 100 and #26 Easy Listening. [5] The final line of the chorus has the singer pleading to the girl: "Bring back that sunny day."
During intermission at a Wednesday evening performance, Sondheim showed up with 'No One Is Alone.' He played it for the cast after the show that night, and it was part of the score by Friday. The next day Sondheim and Lapine left for New York." [1] There was initially an issue over whether the song had been inspired by a preexisting poem. [2]
[27] [25] Three days later, the video was uploaded to the Metro-Goldwyn-Mayer's YouTube channel as well. [42] On September 12, 2019, Aguilera was a guest at the 31 Nights of Halloween Fan Fest event organized by Freeform. She performed the song in front of an audience for the first time. It aired on television on October 5, 2019.
The video also includes a few close-up shots of Brolin, 55, his eyes growing black like Bushell’s do whenever they say “Run” on the chorus. It’s somewhat clear who she is telling to run.
The song is Elsa's "flagship number", and prominently features a siren call that serves as the film's musical motif that Christophe Beck weaves throughout the film score. [2] The call is derived from the Latin sequence Dies irae , but is delivered in a manner inspired by the Scandinavian music form kulning .
“The beloved figure always dies in the last verse,” he said, “so I figured I’d kill her off in the first line.” For Brooks, the night launched him into novelty-song fame. Or infamy.