Search results
Results from the WOW.Com Content Network
"The Equal-Rights Banner" An American anthem for women's voting rights, the lyrics were written by Reverend C. C. Harrah, sung to the tune of "The Star-Spangled Banner". The second verse mentions the evil of "License", referring to alcohol abuse by men, a central issue for women in the Temperance movement. [1] 1891 (text) c.1890s (music)
The 1990s also saw a sizable movement of pro-women's rights protest songs from many musical genres as part of the Third-wave feminism movement. Ani DiFranco was at the forefront of this movement, protesting sexism, sexual abuse, homophobia, reproductive rights as well as racism, poverty, and war. Her "Lost Woman Song" (1990) concerns itself ...
Several songs were written in response to the Seneca Falls Convention, including "Women's Rights Convention Waltz," arranged by Julia F. Baker and "Woman's Rights, a Right Good Ballad," by Kate Horn. [9] [10] Baker's song is more supportive of a change in women's rights, while Horn's work emphasizes traditional values. [10]
Garage rock was a form of amateurish rock music, particularly prevalent in North America in the mid-1960s and so called because of the perception that it was rehearsed in a suburban family garage. [21] [22] Garage rock songs revolved around the traumas of high school life, with songs about "lying girls" being particularly common. [23]
From an 1848 Finger Lakes tea party that inspired women to push for the 19th Amendment and their right to vote to Vietnam War protests of the 1960s and '70s to today's pro-Palestinian ...
CBS was the first major network to cover women's liberation when it aired coverage on 15 January 1970 of the D.C. Women's Liberation group's disruption of Senate hearings on birth control as a small item in their broadcast. Within a week, the women's protests became leading stories on both CBS and ABC.
The song was sung in many different settings, but most often as a form of protest or solidarity for women's rights in both the United Kingdom and the United States. The song was sung in order to lift the spirits of prisoners in Holloway Prison in 1908. [3] [4] Between 1908 and 1911, the Mascottes Ladies Band often performed "The Women's ...
Women make up half of music festival attendees — and therefore, make these festivals a ton of money — so why aren’t the festivals catering their acts to female attendees? The root of the disconnect between the number of women on stage and the number of women in the crowd may lie partially in the male-dominated subcultures these festivals ...