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Musical quotation is to be distinguished from variation, where a composer takes a theme (their own or another's) and writes variations on it.In that case, the origin of the theme is usually acknowledged in the title (e.g., Johannes Brahms's Variations on a Theme by Haydn).
Map of the Soul: Persona has influences from various places. The album itself is based on the book Jung's Map of the Soul, about the theories Carl Jung created for psychology. [17] The lead single, the Halsey collaboration "Boy with Luv," has been described as a funk pop song about happiness and love. [18]
Instead of speeches that are intended for others' ears, most are soliloquies. They are generally darker than the poems found in Men and Women, his previous collection, and along with The Ring and the Book these poems embody a turning point in Browning's style. Browning's poetry after this point most notably touches on religion and marital ...
Portal:Classical music/Quotes/10 Music is at once the product of feeling and knowledge, for it requires from its disciples, composers and performers alike, not only talent and enthusiasm, but also that knowledge and perception which are the result of protracted study and reflection.
The translation of a poem should therefore conform absolutely (1) to the idea or emotion which constitutes the poem, (2) to the verbal rhythm in which that idea or emotion is expressed; it should conform relatively to the inner or visual rhythm, keeping to the images themselves when it can, but keeping always to the type of image.
Robert Browning's dramatic monologue "My Last Duchess" (1842) typifies the formalistic qualities of the persona poem: dramatic tension, manipulating the reader experience, and removing the distance between speaker and reader. [27] More recently T. S. Eliot's 1915 'The Love Song of J Alfred Prufrock' was influential on the persona poem. [28] "
Dramatis personae (Latin: 'persons of the drama') are the main characters in a dramatic work written in a list. [not verified in body] Such lists are commonly employed in various forms of theatre, and also on screen. [not verified in body] Typically, off-stage characters are not considered part of the dramatis personae.
A persona (plural personae or personas) is a strategic mask of identity in public, [1] the public image of one's personality, the social role that one adopts, or simply a fictional character. [2] It is also considered "an intermediary between the individual and the institution."