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Musical quotation is to be distinguished from variation, where a composer takes a theme (their own or another's) and writes variations on it.In that case, the origin of the theme is usually acknowledged in the title (e.g., Johannes Brahms's Variations on a Theme by Haydn).
Robert Browning's dramatic monologue "My Last Duchess" (1842) typifies the formalistic qualities of the persona poem: dramatic tension, manipulating the reader experience, and removing the distance between speaker and reader. [27] More recently T. S. Eliot's 1915 'The Love Song of J Alfred Prufrock' was influential on the persona poem. [28] "
Instead of speeches that are intended for others' ears, most are soliloquies. They are generally darker than the poems found in Men and Women, his previous collection, and along with The Ring and the Book these poems embody a turning point in Browning's style. Browning's poetry after this point most notably touches on religion and marital ...
"Vespers" is a poem by the British author A.A. Milne, first published in 1923 by the American magazine Vanity Fair, and later included in the 1924 book of Milne's poems When We Were Very Young when it was accompanied by two illustrations by E.H. Shephard. It was written about the "Christopher Robin" persona of Milne's son Christopher Robin Milne.
"Ten Blake Songs" are poems from Blake's "Songs of Innocence and of Experience" and "Auguries of Innocence", set to music by Ralph Vaughan Williams in 1957. "Tyger" is both the name of an album by Tangerine Dream, which is based on Blake's poetry, and the title of a song on this album based on the poem of the same name.
Ars Poetica: a poem that explains the 'art of poetry', or a meditation on poetry using the form and techniques of a poem. [1] Aubade: a love poem welcoming or lamenting the arrival of the dawn. Example: “The Sun Rising” by John Donne. [1] Deep image; Didactic; Dramatic monologue
A persona (plural personae or personas) is a strategic mask of identity in public, [1] the public image of one's personality, the social role that one adopts, or simply a fictional character. [2] It is also considered "an intermediary between the individual and the institution."
One canon is there, one sure way of happiness for mortals – if one can keep a cheerful spirit throughout life. [9]This precept, from one of Bacchylides' extant fragments, was considered by his modern editor, Richard Claverhouse Jebb, to be typical of the poet's temperament: "If the utterances scattered throughout the poems warrant a conjecture, Bacchylides was of placid temper; amiably ...