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Rather than the poem representing the voice of the author, as in much lyric poetry, the speaker in Pound's persona poems is a made-up character with whom Pound did not completely identify. This allowed Pound to be satiric, even sarcastic, not only about the subject of the poems but about their speaker, although he sometimes appears to share the ...
The concept of personae in music was introduced by Edward T. Cone in his The Composer's Voice (1974), which dealt with the relation between the lyrical self of a song's lyrics and its composer. [17] Performance studies scholar Philip Auslander includes further contextual frames, in which musical persona is the primary product of musical ...
Musical quotation is to be distinguished from variation, where a composer takes a theme (their own or another's) and writes variations on it.In that case, the origin of the theme is usually acknowledged in the title (e.g., Johannes Brahms's Variations on a Theme by Haydn).
Browning's poetry after this point most notably touches on religion and marital distress, two potent issues of his time period. This new style was appreciated, as Dramatis Personae sold enough copies for a second edition to be published, which was a first in Browning's career. However, though he gained respect, Browning didn't have much ...
Portal:Classical music/Quotes/10 Music is at once the product of feeling and knowledge, for it requires from its disciples, composers and performers alike, not only talent and enthusiasm, but also that knowledge and perception which are the result of protracted study and reflection.
The Joy of Music [1] is Leonard Bernstein's first book, originally published as a hardcover in 1959 by Simon & Schuster. [2] The first UK edition was published in 1960 by Weidenfeld & Nicolson . It was translated into German (1961), Danish (1969), Slovenian (1977), Hebrew (1973 and 1977), Chinese (1987). [ 3 ]
The translation of a poem should therefore conform absolutely (1) to the idea or emotion which constitutes the poem, (2) to the verbal rhythm in which that idea or emotion is expressed; it should conform relatively to the inner or visual rhythm, keeping to the images themselves when it can, but keeping always to the type of image.
Personent hodie in the 1582 edition of Piae Cantiones, image combined from two pages of the source text. "Personent hodie" is a Christmas carol originally published in the 1582 Finnish song book Piae Cantiones, a volume of 74 Medieval songs with Latin texts collected by Jacobus Finno (Jaakko Suomalainen), a Swedish Lutheran cleric, and published by T.P. Rutha. [1]