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Nai, also known as Sain is a generic term for occupational castes of barbers. The name is said to be derived from the Sanskrit word nāpita (नापित). [1] In modern times Nai in northern India refer to themselves as "Sain" instead of Nai. The Nai caste is classified as an Other Backward Class in most of the state in
Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments).
In Kashmiri folk music, the prevalence of Nai is older than two thousand years as we get its description in Nilamata Purana. "Punyahved shabdin vansi venurvenaya sut magadh shabden tatha vandisvanenc" Nilamata Purana described banshi as well as venu and in the modern era even the Kashmiri artists, especially of Anantnag, are proficient in ...
Indian violinists today such as Manoj George, L. Shankar, Balabhaskar have successfully adapted the Western music style of playing the violin and have been performing concerts outside of India. Violinists such as N. Rajam and Sangeeta Shankar are highly accomplished international performers in the Hindustani style.
Chinese musical instruments are traditionally grouped into eight categories (classified by the material from which the instruments were made) known as bā yīn (). [1] The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these groups.
The violin is primarily used as support for a vocalist, as the sound of a violin complements that of the singer, but is also largely played solo. In solo violin concerts, the violinist is accompanied by percussion instruments, usually the tabla, the mridangam and the ghatam. The violin is also a principal instrument for Indian film music. V.
The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
As a jury member, he has served on the jury of many of the most important competitions, including the International Tchaikovsky Competition, Queen Elisabeth Competition, Shanghai Isaac Stern International Violin Competition and the Carl Nielsen International Music Competition. Currently, he is a cello professor at the Shanghai Conservatory of ...