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"Shattered Dreams" is a song by English musical group Johnny Hates Jazz from their debut studio album, Turn Back the Clock (1988). Written by the band's lead singer Clark Datchler , the song was released in March 1987 as the album's lead single.
"Shattered Dreams" was released in March 1987 and became a top 5 hit in the UK, [11] throughout mainland Europe and Asia, and reached No. 2 in Japan. It was followed by three other worldwide hits, " I Don't Want to Be a Hero ", " Turn Back the Clock " (featuring Kim Wilde on backing vocals) and " Heart of Gold ". [ 11 ]
Michael Sutton of AllMusic wrote, "The music on Turn Back the Clock is generally upbeat synth pop, but the words are often sad. Although Johnny Hates Jazz offer no profound revelations about failed relationships or lost love, there is genuine emotion beneath the studio luster of "What Other Reason," "Different Seasons," "Don't Let It End This Way," and "Foolish Heart."".
The last film in the "High School Musical" trilogy, "High School Musical 3: Senior Year," turns 15 on Tuesday, and you know what that means: It's time to revisit — and rank — all 11 songs from ...
This smooth, storytelling song from Warren G and Nate Dogg epitomizes the 1990s G-funk sound that emerged from West Coast artists — especially from Los Angeles and Long Beach. Al Pereira - Getty ...
Upon its release as a single, Robin Smith of Record Mirror described "Turn Back the Clock" as "hopelessly twee and contrived" and added, "Rock out and loosen up, guys." [7] Richard Lowe of Smash Hits stated that the song is exactly like the band's look, namely "not particularly special but lovingly scrubbed and polished and pleasant enough" and as "good" as the band's previous singles, while ...
Lowell high school students participated in and watched a simulated impaired driving crash, learning the severity of driving while distracted. Every 15 Minutes: Students confront the risks of ...
"Fifteen" is 4 minutes and 55 seconds long. [13] It is a country pop [14] [15] ballad. [16] Driven by a mandolin, [17] it concludes with an outro where Swift sings, "la la la." [18] Critics said that "Fifteen" has a prominent pop production; [19] Larry Rodgers of The Arizona Republic described it as "roots pop", [20] and John Terauds of the Toronto Star deemed it guitar pop. [21]