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"Above All" is a Christian contemporary song co-written by Paul Baloche and Lenny LeBlanc in 1995. [1] A popular worship ballad, Michael W. Smith covered it in his live album Worship. Smith also performed it during U.S. President George W. Bush's 2001 inaugural prayer service. [2]
In the United Kingdom, the hymn is also often set to the tune "Normandy" by C Bost. [6] The "Nettleton" tune is used extensively in partial or full quotation by the American composer Charles Ives, in such works as the First String Quartet and the piano quintet and song "The Innate". The "Nettleton" tune is also quoted at the end of "My Trundle ...
Similar strategies to all the above, work equally well in minor modes: there have been one-, two-, and three-minor-chord songs, minor blues. A notable example of a descending minor chord progression is the four-chord Andalusian cadence , i–VII–VI–V.
exceeding high mountain, and sheweth him all the kingdoms of the world, and the glory of them; The World English Bible translates the passage as: Again, the devil took him to an exceedingly high mountain, and showed him all the kingdoms of the world, and their glory. For a collection of other versions see BibleHub Matthew 4:8
The Grandmother chord is an eleven-interval, twelve-note, invertible chord with all of the properties of the Mother chord. Additionally, the intervals are so arranged that they alternate odd and even intervals (counted by semitones) and that the odd intervals successively decrease by one whole-tone while the even intervals successively increase by one whole-tone. [13]
All My Kingdoms (Opus I) is the debut album by German power metal band Heavatar. [ 1 ] [ 2 ] [ 3 ] The songs are inspired by classical composers Ludwig van Beethoven , Johann Sebastian Bach , Niccolò Paganini and Georges Bizet .
Leave it in the slow cooker all party long to keep it warm for serving with perfect, melty cheese in every bite. View Recipe. Strawberries and Cottage Cheese.
And above all else, it sounds perfect; every note is hit, every harmony flawlessly sung, every a cappella section meticulously executed." He felt that the auto-tuning was the biggest problem with Glee's regular soundtracks, but criticised the lip syncing as it was "impossible to tell which parts are performed and which are piped in".